Skip to content

Creative Photography for Marketing Our Town, an American Classic

Marketing Our Town: How we created poster photography and character portraits for an American classic by Thorton Wilder at the Footlight Club.
Marketing Our Town: How we created poster photography and character portraits for an American classic by Thorton Wilder at the Footlight Club.

Marketing Our Town: The Concept

Our Town Poster
Our Town Poster

Michael Colford, Katie Swimm and Kathleen Comber invited me to sit down at the Footlight Club, in Jamaica Plain, to discuss their vision for marketing Our Town. Michael is the publicity director and Katie and Kathleen are the director and producer, respectively.

One of their goals for me was to create an image that evokes the passage of time and the time period of the play (1906-1913). They also wanted to avoid using the usual theme of the ladder and moon that is typically used for marketing Our Town productions.

We picked the pocket watch as it was one of the props that the character of the Stage Manager uses throughout the play. And, then they turned me loose in the studio to experiment.

The Our Town Photo Shoot Part 1: Poster Art

For the poster cover, I pulled out an old pocket watch that I had purchased at a garage sale two decades ago. The last time I had it out was in 2009 for a production of A Murder is Announced by Agatha Christie for Paul Conroy at the Newton Country Players.

In the meeting, we had discussed an overall color scheme and a minimalist scene, in keeping with the planned over all look of the production. An old ladder, shown only in an abstract sense, gave a sense of structure to the composition. And, to give it that ethereal look, I resorted back to an old style of light painting. In a nut shell, it means that I used a flashlight to “paint” the light where I wanted it.

When I first used this technique, I was shooting on film. So, it was an all or nothing approach. I either got all the parts painted on the film, or I didn’t and had to do it again. Of course, since the film had to go out to be developed, there was a large element of “I hope we got it!” involved.

With the advantage of Adobe Photoshop’s layers, I was able to build up light in different areas and in different captures.Then, I could assemble the captures as different layers in a Photoshop file and paint, or mask, the areas I wanted to keep.

The Our Town Photo Shoot Part 2: Character Art

Michael has been instrumental in building the Footlight Club’s social media presence, with expanded facebook coverage and an instagram profile. To help feed the publicity machine, we set up a series of character portraits, like we had done before for Heathers, The Musical and In the Next Room, or the vibrator play.

While we wanted to keep with the esthetics of the production, we also wanted portray the characters as more alive and fresh. Each one has their own sense of humor and personality. We didn’t want them to look stern or dower. So, we went dramatic with the lighting but kept the expressions softer.

Thank You!

As always, a huge thank you to the Footlight Club and the cast and crew for inviting me to collaborate with them on the marketing for their production! Break a leg, gang!

Related Stories from the Studio . . .

We created a Rocketboy and Gears Adventures Photo Studio Holiday Card to celebrate our Photo Studio abilities. Here's why and how we did it.

The Cast of Your a Good Man Charlie Brown at The Footlight Club

David Rodrigues and Katie Swimm brought in their cast of "You're A Good Man, Charlie Brown!" to the studio for some promotional poster and social media photography. We decided to have everyone in character and then match up the background colors to match their wardrobe... with the exception of Snoopy!

Dan Whitelock, musician

The Musician Portrait Session with Boston area musician, Dan Whitlock. 80's style rocker extraordinaire!

Company Footlight Club poster by MattMcKeePhoto.com

Steven Sondheim's Sondheim's Company marketing poster photoshoot from our sessions in the studio.